Ibert Piece-Solo Flute-Leduc. Piece for Solo Flute was premiered by Marcel Moyse. Comprised of three movements with two contrasting themes. Sheet Music – £ – Jacques Ibert’s Piece pour Flute Seule (Piece for Solo Flute ). Published by Alphonse Leduc. Ibert Piece for Solo Flute. January 3, | Author: Allison Q. Kessinger | Category: N/A Short Description. Ibert.

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Finding Moyse – Ibert vs. Bozza | Rachel Taylor Geier

Perhaps Ibert was trying to set the groundwork for the Image. The ibrrt duple vs. Repetitive Recitative The Ibet of both works are strikingly similar — meandering lines creating fantasy-like imagery using echo effects and rapid lines leading to false climaxes. In the Ibert, such a figure appears at the very beginning of the piece: In the Ibert, we see grouping of sextuplets followed by septuplets followed by eight 32 nd notes and a grouping of nine 32 nd notes.

There are several works throughout the history of Western Music that could be considered imitations of one another. The most significant similarity, however, is the repetitive notes that create a sense of recitative without words.

Email required Address never made public. Is this intended to be the fluts of Moyse?

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Ibert Piece for Solo Flute

Notify me of new posts via email. This site uses Akismet to reduce spam. Is there a sentence or a phrase known only to the composer that is created using these rhythmic syllables?

Image is written in ternary ABA form with a slower, fantasy-like introduction. What is clear, however, is that there are striking similarities between both of these pieces, structurally as well as and harmonically.

What is similar, however, is that each section is connected by rhythmically intricate cadenzas. What is the significance of the duple vs.

This is all but a prelude flue the most technically demanding element of the piece, a long progression of rapidly moving minor thirds extending chromatically for 2 octaves. Or maybe a commentary on the nature of a brooding performer who perhaps lets his thoughts bubble not once, not twice, but three times before he takes action sounds like a Taurus…. Octave displacements complete the cadenza and introduce the return of the A section at the Piu lento.

Image features a similar slo linking the A section to the B section at the top of the 2 nd page, beginning with a fermata pice above a low B sharp.

This is followed by 1 beat of triples and one beat of 4 sixteenth notes:. This pattern replays throughout the B section namely in and around the impending Animanto: It is difficult to say which piece influenced the other due to discrepancies among scholars regarding publication dates yet both pieces were written for Marcel Moyse.


The monotone rhythm of the line could represent a monotone voice speaking musical knowledge without the use of words. After brushing off the years of dust from this piece and woodshedding some of the technical passages, I began to hear a clear influence of other works written around this time period.

Learn how your comment data is processed. Perhaps this was an exercise used at the Paris Conservatoire. You are commenting using your WordPress.

Jacques Ibert – Piece pour Flute Seule

fflute Each section is linked together with virtuosic cadenzas exploring the range of the instrument and incorporating extended techniques such as flutter tonging. Leave a Reply Cancel reply Enter your comment here This of course is all just speculation. The faster, technically demanding A sections are enhanced by a slower, more lyrical B section. Where they somehow commenting on the Moyse style?

In both instances, there fof 3 repetitions of this swirling figure, all gaining in intensity with each repetition to lead into the most virtuosic moment of each piece. Was this swirling figure somehow evocative of Moyse?