Linda Hutcheon, A Theory of Parody: The Teachings of Twintieth-Century Art Forms. New York et Londres, Methuen, , p.. An article from journal Études. “A Theory of Parody: The Teachings of Twentieth-Century Art Forms”: Linda of A Poetics of Postmodernism: History, Theory, Fiction by Linda Hutcheon. According to LINDA HUTCHEON, one of the main features that distinguishes postmodernism from modernism is the fact the it “takes the form of self-conscious, .
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Hutcheon’s chief achievemen A useful volume written partly in reaction to the idea that theory determines what one says about literature. To ask other readers questions about A Theory of Parodylindda sign up.
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Introduction to Linda Hutcheon, Module on Parody
To purchase short term access, please sign in to your Oxford Academic account above. Estela rated it really liked it Aug 26, Sign In or Create an Account. Rabeb Ben Hnia rated it really liked it Oct 01, Parody is repetition with critical distance, and must be distinguished from satire parody relies on reference to an earlier text or text, and satire relies on reference to reality and from irony an This book is more of a formalist work than I’m used to dealing with, but it was very useful in terms of my thinking about parody.
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Linda Hutcheon, A Theory of Parody : The Teachi – Études littéraires – Érudit
Hutcheon identifies parody as one of the major forms of modern self-reflexivity, one that marks the intersection of invention In this major study of a flexible and multifaceted mode of expression, Linda Hutcheon looks at works of modern literature, visual art, music, film, theater, and architecture to arrive at a comprehensive assessment of what parody is and what it does.
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Its productive-creative approach to tradition results in a modern recoding that establishes difference at the heart of similarity.
A Theory of Parody: The Teachings of Twentieth-Century Art Forms
Hutcheon identifies parody as one of the major forms of modern self-reflexivity, one that marks the intersection of invention and critique and offers an important mode of coming to terms with the texts and discourses of the past. Jillian rated it liked it Lihda 09, Close mobile search navigation Article navigation.
She shows how parody, through ironic playing with multiple conventions, combines creative expression with critical commentary. My library Help Advanced Book Search. Selected pages Title Page.
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Tom Halford rated it it was amazing Jul 31, Its productive-creative approach to tradition results in a modern recoding that establishes difference at the heart of similarity. I think this book went smoother than the one he read, because there is already a body of work dealing with parody against which Hutcheon built her definition, whereas adaptation the subject of the book he read is a much less defined topic.
Oxford University Press is a department of the University of Oxford. Hutcheon also tackles satire, irony, and pastiche in defining how parody is a different concept.